The uprising of the fantasy grandfather. Full history of Putin's disease

If someone is aware, white wandering is a rebellious gumnoid creature from the series "Game of Thrones". They have white eyes of the dead, and they are endowed with certain magical abilities. In our case, they kill with verbal spells. Pose a supernatural threat to humanity. The former adviser to the President of the Russian Federation, the author of the modern concept of "Russian world", the chief ideologist of the Novorossiysk - Vladislav Surkov, claims the role of the colonel.

In combination, he is a broad profile writer: poet, prose writer, playwright and screenwriter. A chaplain can be an 85-year-old Orthodox communist, prose writer Alexander Prokhanov. Reconstructor Igor Girkin (52) and writer Zakhar Prylepin (47) are commanders of assault groups. And a lot of infantry and freelance troubadours. A separate unit is the mouth of the fantastic fantastic graph coming with the Space Rangers Chevron. It is this mouth that we are most interested in. And that's why.

If a library had a library at a special drawer with a filing cabinet would be a signature: would be a fiction. The genre of reconnaissance. Here is anamnesis of the disease of the Kremlin dictator, members of the Russian Council and all the militant -minded Russians. Moreover, it is in this drawer that the authors whose prophecies somehow come true. The prophecies of the Fiction Book are written in bad Russian. But there is already modern Russian literature, including commercial.

We have no way out - the enemy must be known. So, we flip through the filing cabinet. B - white arrow. In the 1990s, there was a legend of a secret special service called "White Arrow" in the CIS countries. Moreover, according to one version, it was a conspiratorial special service. The other is a secret organization created by former KGB staff and the USSR. The Almighty Mafia werewolf in shoulder straps, but romanticized. According to the folklore "white arrow", dozens of books have been written.

One of the novels of the writer Valery Kovalev is called "White Arrow". The standard plot of such novels: Heroes-officers challenge an unjust market system. And they get power by the wrong way - stupidly kill criminals and officials. Now it is unclear what arose earlier is the legend of a "white arrow" or its prototypes. Simultaneously with the advent of this literature in the Russian Federation there are gangs of security forces who displace classical crime.

These social processes coincide with the coming to power of Vladimir Putin, the formation of a new elite among his St. Petersburg "business partners" and friends from the country cooperative "Lake". Much of the new political elite is the former security forces. Around the same period, the next plot of battle fiction is gaining momentum: a Russian officer gets into the past and corrects world history. "Getting" is a very ancient and interesting story.

But in mass literature, philosophical and fantastic sophistication is inferior to the idealization of the most odious characters of Russian history. In particular, Ivan the Terrible and Joseph Stalin. Here's a great material on this topic. The headlines of some books sounded like reincarnation of the cult: "Shadow of Stalin", "Conversation with the leader", "Marshal Stalin". What is interesting.

The central line is unchanged: heroes-officers challenge an unjust world order, that is, a collective event. Compared to this hated event, even Adolf Hitler is not so scary. Positive heroes move to Hitler and Stalin with a brilliant result - the Red Army, along with the Wehrmacht, destroy the Entente ("Reich Son" by this "Alec). The capture of alternative history smoothly and seamlessly flows into sadistic futurology.

In 2009, there are books that prophesy Moscow's military aggression in the next, that is, 2010. The authors with delight depict paintings by the execution of traitors, the torment of enemies. Enemies are Ukrainians. The line is: heroes-officers . . . At the same time, in 2009, a small scandal flashes. The co -chairman of the Kharkiv Festival of Russian -speaking fantas "Star Bridge" Arsen Avakov drew attention to some of the names, of which the passionate desire of war was simply dripped.

I will list these names in the original language to convey the color: "Boy - Ukraine. The Slavonic Trezubetz" Georgy Savitsky, "Non -Baby Ukraine. The collapse of the project" Alexander Severe, "War 2010. Ukrainian Front" Fedira Beedir Berezin. These authors came to the festival at Avakov's awards. In this regard, the future Minister of the Ministry of Internal Affairs wrote a column in which he exposed the writers in Nebamak.

In the text, among other things, the insight: "Why does Russia so persistently impose on its citizens the idea and inevitability of war with Ukraine?" The most then got the gloomy graphman Fedir Berezin: "I know Fyodor personally! He received awards at our Kharkiv Festival of Star Bridge fiction. How could it be drawn into such? . . -an infographic, on which on the site of most European capitals there would be embroidery from thermonuclear missiles.

In the future, this genre developed rapidly: turboorealists (turbooralism - one of the names of this specific genre) became admiration for other planets. But back to the Ukrainian topics. Graphoms are not a prophecy. This is how the sociological formula called the Thomas theorem works: situations that people define as real are real in their consequences. Even the loom of the mentally ill can have an impact on reality - by consequences.

So who writes it all and reads it? The name of the microbe of the stylistics of the works is as if the executioner with a specific sense of humor forced the pensioner to write love letters using the vocabulary from the textbook "Initial Military School" in 1970. And here. Already an elderly man, having squeezed a glass for bravery, with a trembling hand, he brings out: From the prologue of Fedir Berezin's novel "War 2030. Metropolis. No connoisseur of fiction can read it.

The pattern is opposite: the more sophisticated the taste of a person, the less likely it is that any "fire of the metropolis" will appear on its shelf. Not philosophical depth and writing skill catches Berezin the reader in his tenets. More precisely, it is not with the help of this he recalls virtual "warriors of light. " Here is another. The art and everything related to art is not just superfluous, but can only hurt our fantasy.

Here, as in porn, more primordial passions are needed: aggression, pathos, naturalistic scenes. And the reader's imagination houses everything else. The protagonist should not just destroy the enemies, he must torture them so that they are emptied before death: (…) Communianly, Daniel very much was wanted to be buried, so much that he was even described. Dmitry Gavrilovich was a robot - a work was muddled. .

But there is a simple logic: a reader is one who associates himself with the main actors of the work and, holding his breath, follows the exploits of the liberators of the world. yawns how to hold weapons. Not only. Sometimes it is a simple guy from a deep people who will be assigned to the role of a space Ranger. Or no one knows the middle -level manager. It happened that he was suddenly called comrade Stalin from the past - On advice. Or just the average failure: And he was not a giant-gigantanman.

It is an illegal elevation of the manager, however, because of the part of the same circumstances, then in the sake of manifestation of universal planetary cataclysms in the conservation of Dominating on the Earth. In general, with the education of him did not get tired. And as a sedentary, with normal labor management, too. However, in the technology, where his ego was struck, this has long been not a problem - just a solid bush.

So it would be a kind of community veteers of the veteer, to the unsuccessful entry into the abuse, but the same, because of what, because From the prologue of Fedir Berezin's novel "War 2030. Metropolis. So, the reader's audience, speaking in the language of Berezin, is the widest possible circle of germs. In practice, this circle is limited by certain qualities - educational, intellectual, material and age.

It is logical to assume that people with these or other mental problems get to the hook of Russian combat fiction. Speaking frankly: with mental deviations. The hearts of these people, apparently, beat in unison's hearts of fantasy. So the next question is: And the author - who? Underground Gom true literature is full of shades and nuances. Like, in fact, life itself. The talented author hides behind the scenes or masks his biographical experience, dressing with a stage hero.

The better literature, the harder it is to explore it. Even if it hides combat poison, it is not so easy to find its chemical formula. With bad texts everything is different. Graphomann is not able to cope with the temptation to run on the stage of Golyak and performs his dance passionately so that the grove is noise. Among the writers, Russian battle fiction is definitely the worst of the worst.

That is why under the microscope of the naturalist-literary critic they are helpless, as a frog before vivisection. From the general reference group of combat fiction, I chose 15 writers who can be found in open sources. This is, of course, only the surface of the iceberg under the conditional name of the Gom ("Group of the World of Peace"), but at least something. Both the unemployed and the higher layer of the conditional middle class were included in the group.

In general, these are different people, but some patterns are traced. He came across two pro -Kremlin political scientists with conspiracy -beetund. He analyzed the life trajectories of two historians, several engineers and public figures. Speaking of basic education and first place of work, more than half of our writers are former military or law enforcement.

Therefore, a schematic portrait of the author is a man of pre -retirement or retirement age, an officer of a reserve, who, after his release from the army for a long time and with variable success, was looking for a new place in the sun. At some point he decided that he was a writer. The most authentic representative is our old familiar Fyodor Berezin. This literary nugget was born in 1960 in Stalino (now - Donetsk). He graduated from the team school in the Saratov region.

He served as a rocket launcher in Kazakhstan and the Far East. In 1991 he freed himself from the USSR's armed forces in the rank of captain and returned to his native Donetsk. For a long time, the former military could not adapt to civilian life. He poured-stuck in different works. He tried himself as a miner. He tried to engage in entrepreneurial activity. But failed. In the end, he got a guard at Donetsk Technical University.

This difficult path in the 90s was traveled by millions of citizens of the former USSR. It was really difficult to break through. Not everyone survived: one of Feder's former colleagues went to crime, someone broke, someone was drunk. Fedor was not drunk. He had a hobby. Berezin began to write his "turborealist technology", imitating the American writer and screenwriter Tom Clancy. Time will pass, and in one of his works, Fedor will name the name of the American warship and destroy it.

The Feder's literary life was given to the already mentioned Kharkiv Literary Festival "Star Bridge"-in 2001, a 41-year-old writer received a prize in the nomination "Best Debut" for the novel "Ashes". It was the first real victory of the former captain after ten years of wandering. From that moment on, it has been started as it was introduced and receives awards on the Golden Bridge almost every year. The work of the security guard at the state institution is ideal for the writer.

Picture: Winter, a gloomy uncle in Vatnik, he reverses on a night shift. It opens the guard, turns on the electric kettle, opens a notebook, waves from the page of the crumb of yesterday's sandwich . . . And here miracles begin. In the cone of the table lamp fly, as if butterflies, cosmic rangers, every second there are new types of weapons, non -edited battles of Russia with NATO, space superpowers raise ponds, Europe is covered with nuclear mushrooms . . .

It seems to be a familiar phrase: "Pentagon is a breakdown, the Pentagon is a breakdown . . . " The night is not long, and there is a lot of things. We must have time to take revenge on this incomprehensible and cruel world. For the despised ideals of youth, during the years of flea, for a woman who has escaped . . . It is necessary to beat the enemy on earth, in the air, in the ocean depths and in space. Again, the underground "Group of World Warnings" goes into battle.

The soul of our hermit did not accept the orange revolution. And then in the cone of the lamps began to appear horrific paintings by the execution of Ukrainian officers: after all, the Bandera could not be re -educated . . . No one noticed how Fyodor of a good man (writers who knew him personally, characterized Berezina as "not a vile man") began to turn into a cannon. How did Avakov say there? "I know Feder in person! I don't understand how could you get yourself involved in it?" And gradually.

The time will come, and the gloomy fantasy Fedor will come out of the guard and begin to bring his loom to life. Will straighten your shoulders. By nature, he is not a scribe, in kind he is a practice. The professional soldier of the old school. Towns a knife. The real human blood is drunk. There was Fedor, he became a Chapay. Such a call sign gave him the so -called "Slavyansk militias" for the specific appearance. It will take a few months, and a weirdo will make a enchanting career.

In a sense that understands a career like people. Berezin will begin to combine many positions: Deputy "Minister of Defense" Igor Girkin, chairman of the "DNR" Union of Writers, deputy of a non -existent parliament of a non -existent Novosia, deputy "Commandant" Donetsk . . . and so on, and so on, and so on. The transformation of a further analysis of the life and work of Graphoman Feder Bezhin is impossible without psychiatric examination. The cannibal, the killer . . .

Is it allegories or something more than allegory? I am not aware of how many people personally killed Fyodor Berezin. Did he feel pleasure in the process? It is very difficult to carry out examination at a distance. But I, without claiming science, will try to apply the creative method: I will compare the stages that Fedor Berezin passed, with the stages of becoming true serial murderers.

Maniacs, mass murderers and simply homicidomans (homicidmania - passion for murders), as well as necrophils and cannibals occasionally appear in the modern world. The term "serial killer" was introduced into scientific circulation in the 1970s by a special agent, chief psychologist of FBI Robert Ressler. Since then, the process of their classification has begun. According to Ressoler, psycho -trauma plays a key role in the formation of the offender. Alternatively - insult.

As for our hero, it cannot be ruled out that the 90s caused him a very deep psychological trauma. However, in those days, all citizens of the former USSR were injured in one way or another. In the modern classification of series there is one interesting type - "missionaries". These are those who imagined that they have a mission. A potential criminal creates his own, illusory world. Fyodor Berezin's "Savior of the Universe" is perfect for this role, dozens of novels - so material evidence.

Another important stage of formation of a maniac is imprint, that is, fixation of pleasure. It is unknown whether he felt something like a Berezin, but he describes the scenes with a clear pleasure. Between the psychotrauma, the creation of theory, imprinting, the first murder, the final transformation of man into a multi -episode criminal can take years. The gaps between the stages of the "big path" are filled with fantasies.

People with sadistic slopes blow their imagination, purposefully look for a forbidden fruit - for example, torture information. Some maniacs collect some things (fetish) that excite them and masturbate them. How not to compare the work of Graphoman with masturbation . . . Over the years there is an increase in manic thrust. Passion completely absorbs a person. Modern psychiatry is not capable of cure such personality.

Остання фаза розвитку маніяка, згідно з теорією радянського психіатра Олександра Бухановського (саме він робив психіатричну експертизу радянського серійного вбивці Андрія Чикатила), – це пристрасть до некрофагії, тобто поїдання трупів.

Ще раз: я не претендую на науковість і не стверджую, що Федір Березін вже сформований реальний маніяк. Але кінцевий пункт того маршруту, по якому він йде десятиліттями, більш-менш зрозумілий.

Чому нас так непокоїть доля бідолашного Федіра Березіна? Теорема Томаса Березін, як вже зазначалося, типовий представник нашої референтної групи бойових фантастів. Але не тільки її.

Бойові фантасти за своїми соціально-демографічними характеристиками (силовики молодшого пенсійного віку) є складовою дуже великого ком’юніті. Попри поважний вік, саме це ком’юніті формує порядок денний у країні-терористі Росії та визначає її зовнішню політику.

Так працює теорема Томаса. До даної спільноти входить все військово-політичне керівництво країни-агресора, разом з кремлівським диктатором Путіним.

Здавалося б, що спільного між членом Радбезу РФ і головою так званої "спілки письменників" так званої "ДНР"? Насправді багато: схожа освіта, спогади про молодість, манера висловлювати думки, нерозуміння сучасності, неврози та інші ментальні розлади.

Як сказав російський поет Євген Долматовський: Навіть поверхневий аналіз життя і творчості Федіра Березіна відкриває перед нами портал у потаємні бажання керманичів Росії. Знати їх не менш важливо, ніж знати про плани російського Генштабу.

Тому що спочатку виникають бажання, потім плани їх реалізації, далі відбувається катастрофа. Так працює теорема Томаса. А бажання лише одне: вбивати, вбивати й ще раз вбивати. Усіх. Захопити Всесвіт і померти. У маніяка-місіонера не буває друзів.

Однією рукою цей гоміцидоман тримає слухавку, щоб домовитися з товаришем Сі Цзіньпінем, головою КНР, про постачання енергоносіїв, а іншою продовжує мастурбувати: "…Китайцы просто так не сдавались, каждый дом, каждый небоскреб был превращен в крепость, каждый квартал – в укрепрайон.

И за всеми этими бесчисленными поясами обороны находилось сердце Поднебесной – площадь Тяньаньмэнь и Запретный город – Императорский дворец Цзыцзинчэн.

Русские должны были всадить тульский булатный клинок в это сердце, чтобы остановить не знающую границ в своей жестокости военную экспансию нынешнего Китая!" З роману Георгія Савицького "Поле боя – Пекин. Штурм Запретного города".

Можливо, керівництву МЗС України варто було б виділити невеличкий бюджет, щоб цілком перекласти книжечку "Поле боя – Пекин. Штурм Запретного города" китайською і при нагоді презентувати особисто товаришу Сі. Аналогічні подарунки можна зробити і європейським політикам.

На розкладках зі сміттєвою літературою десь на вокзалі у Нижньому Тагілі знайдеться захопливе чтиво для кожного світового лідера. Адже бойові фантасти давно перетворюють у руїни усі європейські столиці.

Як говорить російський соціолог Григорій Юдін: "Ви можете справедливо думати, що дія агресора буде приречена на невдачу, але з цього ще не випливає, що він не вчинить цієї дії. Зовсім не тому, що він нераціональний, а тому, що він, наприклад, вважає, що не має жодного вибору".

Гоміцидоман, що старіє, приречений в силу чисто біологічних причин. Але кожна секунда його життя – це загроза для мільйонів. І не тільки українців. Маніяка-місіонера зупинить або смерть, або повна ізоляція.